What Is Dementia And Alzheimer s Disease - 1311 Words

What is dementia and Alzheimer’s disease? Dementia is a disease that affects mental capabilities in which memory loss is one of the key features of this disease. Memory loss creates difficulty in completing every day tasks. Most people who suffer from the disease need assistance with their activities of daily living. Alzheimer’s disease accounts for 60% to 70% of cases of dementia. It is a long lasting neurodegenerative (progressive damage of the neurological nerve cells) disease that usually starts gradually and gets worse over time. What are the symptoms of Alzheimer’s? The most common early symptom is with trouble remembering recent events (short-term memory loss). As the disease progresses, symptoms can include: problems with†¦show more content†¦They are often severe enough to interrupt the daily life of an individual with dementia. What are the stages of Alzheimer’s? There are a few different opinions as to how many stages of Alzheimer’s there are, but in general, they can broken down into seven stages: 1. No symptoms: In this stage, memory and cognitive abilities are normal. 2. Pre-clinical: The pre-clinical stage of Alzheimer’s is a relatively new description for the initial biological changes that are underway before any clinical symptoms are experienced. This stage may begin years, or even decades before symptoms such as memory loss and confusion occur. With the help of magnetic resonance imaging (MRI) or positron emission tomography (PET), and proteins in cerebrospinal fluid (CSF), researchers are able to identify the accumulation of amyloid beta proteins. This occurrence is thought to be connected to structural and functional brain changes similar to those in patients with Alzheimer’s. 3. Mild Cognitive Impairment

Is Victimless Crimes Is Defined As A Victimless Crime

The topic I chose to write about is Victimless Crimes. I will be defining the term as well as discussing a few of the known victimless crimes along with the penalty/punishment for each in the states of Alabama, Kentucky and Michigan. A victimless crime is defined as an incident or crime where there is no distinct victim legal-dictionary.thefreedictionary.com/Victimless Crimes. There are many different crimes that can be categorized as a Victimless Crime. Some of these crimes include Postitution, Drug use and Public Drunkines (Public Intoxication) education-portal.com/.../victimless-crimes-definition-types-examples.html. A lot of the crimes involve one complaining party, most likely the police officers or a unhappy customer out for some payback www.encyclopedia.com/topic/Victimless_Crimes.aspx. The first victimless crime I want to discuss is Prostitution. This term is defined as two people engaging in inappropriate behavior for some form of payment http://www.britannica.com/EBchecked/topic/479546/prostitution. I honestly find it sad that people struggle so much that they feel the need to fo these types of acts to money or necessities in life. It’s a sad reality of the world. Every state has there own punishments / penalties for prostitution as well as for the customers, pimps and brothel owners. In the state of Alabama the law says that a prostitute can spend a whole year in jail or be fined $6,000 and in some cases both are issuedShow MoreRelatedVictimless Crime1399 Words   |  6 PagesVictimless crime is defined as a violation of community standards or an illicit act against a government policy or agency (Wisegeek, 2009) yet, which neither directly harms nor violates the rights of any specific person, although some people may claim it harms society as a whole. Many people consider such acts as drunk driving, prostitution, public drunkenness, assisting someone to die at his or her request, using drugs, white-collar crimes, and abortion to be victimless crimes. They feel, as thoughRead MoreCriminal Law: Examples of Victimless Crimes1264 Words   |  5 Pages1) Victimless crime can be defined as those types of actions and behavior that are illegal, although they do not affect the safety and personal rights of others. Individuals or groups of persons can commit victimless crimes. In cases that involve more than one person, only those capable of consenting to the actions are guilty of this type of crime (Liberal Democratic Party, 2009). Although there are not victims in this type of crime, there is nevertheless a threat to the public interest in someRead MoreVictimless Crime1282 Words   |  6 PagesVictimless Crime Victimless crime is defined as an illegal act that is felt to have no direct or identifiable victim. Drug possession and usage is considered to be a type of victimless crime. Libertarianism says the government is set up to offer protection for each of us against the initiation of force by others. They say this gives us the â€Å"moral space† in which to live our own lives in our own chosen way-even if that means choosing to use drugs. A person under the influence of illegal drugs isRead MoreCrime, Morality And The Criminal Justice System1858 Words   |  8 PagesA victimless crime is an illegal act or offense that involves consenting adults and no party is harmed or injured during the act. Such offenses are considered illegal, but there is no apparent victim. Although there are several disagreements to whether or not a crime is victimless or not four of the most commonly identified victimless crimes, also known as public order offenses, are: drug use, prostitution, pornogra phy through sexting, and gambling. Victimless crimes have been the topic of a heatedRead MoreJustice, Deviance, And The Dark Ghetto1811 Words   |  8 PagesShelby’s argument that deviant behavior does not necessarily violate an individual’s civic obligations. I will argue that Shelby’s dichotomy of moral and civic obligations is arbitrarily defined and results in different permissible crimes. I will also argue that what Shelby describes as a justified victimless crime as an escape from an unjust structure only perpetuates injustice. I conclude by stating that while Shelby’s argument suffers from few logical flaws, the overall argument prevail. ShelbyRead MoreVictimless Crimes1330 Words   |  6 PagesVictimless crime is defined as illegal behavior in which people willingly engage and in which there are no unwilling victims. Victimless crimes can be viewed as prostitution, illegal drug use, or illegal gambling. These are considered crimes because they can harm your body, or life in some way, and because you willingly do them. There are many other things in our lives that we can do such as smoking cigarettes, or drinking that can harm our lives and body in some way but are legal. In my opinionRead MoreDeviance and Social Control2641 Words   |  11 Pagesto a meeting, or texting while driving. On the other end of the spectrum there is criminal deviance, dog fighting, robbery, and possession of drugs are a few examples. However, the one thing that all deviant behavior has in common is it is all defined within a particular society and at a particular time. Deviant behavior is socially constructed with the people in power defining what is expectable and what is deviant. An example of deviance here in the United States can be found in our freedomRead MoreA Brief Note On Crime, Justice, And Criminal Behavior1162 Words   |  5 Pagesaccurately constitutes a crime nor whom exactly it applies to. Criminology is the study of crime, justice, and criminal behavior. The debate has produced much controversy among those in the criminal law field. There are psychologists who study criminals and observe their way of thinking to understand why people commit crime, and on the other hand there are criminologists who seek to understand the nature and extent of a criminal. In examining the evolution and meaning of crime, it comes down to actsRead MoreEssay on Crime Typologies3922 Words   |  16 Pagesof Crime Typologies such as violent crime, property crime, enterprise crime, and public order crime. It examines each crime by giving the definitive analysis of the crimes as well as the many examples that fall under the specific crimes. This paper aims to answer some of the questions most criminologists face as well as our society as a whole. Questions such as, how often are these crimes committed? What possesses individuals to commit these crimes? How does society actually view these crimes? HaveRead MoreInvestigation Of The Criminal Justice Field1261 Words   |  6 Pagesand where crimes are happening and try to provide a solution to stopping them. However, people bring into question the accuracy and usefulness of crime statistics as they merely reflect the views of the policy makers. Two sources that collect and publish cri me data and statistics are the Uniform Crime Reporting (UCR) program, and the National Crime Victim Survey (NCVS). The Uniform Crime Reporting program was created in 1930 when Congress saw the need to begin collecting statistics on crime in the

Music History paper Essay Example For Students

Music History paper Essay A magnificent classical composer, Johann Sebastian Bach is revered through the gees for his works musical complexities and stylistic innovations. Born on March 21, 1685, in Sciences, Turning, Germany, Johann Sebastian Bach had a prestigious musical lineage and took on various organist positions during the early 18th century, creating famous compositions like Toccata and Fugue in D minor. Some of his best- known compositions are the Mass in B Minor, and the Brandenburg Concertos. The Brandenburg Concertos are a collection of six instrumental works presented by Bach to Christian Ludwig, Marriage of Brandenburg-Eschewed. They are widely garden as some of the best orchestral compositions of the Baroque era. Most likely, Bach composed the concertos over several years while Experimentalist at KÂ ¶then, and possibly extending back to his employment at Whimper (Boyd, 14-47). Each Brandenburg follows the convention of a concerto gross, in which two or more solo instruments are contrasted with a full ensemble, and where a slow movement in the relative minor is bracketed by two fast movements, mostly structured as a routinely. The Orchestra of the Age of Enlightenment plays the Brandenburg Concertos in which the opening tutu (played by the full ensemble) reappears as a formal marker between episodes of display by the concerti (solo instruments) and again as a conclusion, thus producing a psychologically satisfying structure. Vivaldi and others who established the concerto gross model used nuances of texture, tone coloration and novel figurations to contrast the ensembles routinely and the solo episodes. Bach, though, tends to fluently blend and integrate them. The concerto gross form was pioneered by Italian composers like Archangels Cornell, but Bachs Brandenburg kook the form to new heights. They changed music by demonstrating the potential of an already-established form. The only Brandenburg Concerto in four movements, the First may appear to be the conventional fast-slow-fast form to which a final dance section was added, but scholars trace a more complex origin, in which the first, second and fourth movements comprised a confusion to introduce a 1713 Hunting Cantata and thus was more like a standard suite of the time. To create the character of a concerto, Bach later added the present third movement with its prominent violin LOL, the short phrasing of which suggests separate origin as a now-lost choral piece. The overall orchestration is unusual. The sheer number of instruments gives the Music History paper By Dana-Butler concerto symphony (Sulzberger, 18, 37-90). To expand the range of the sonority, Bach specifies in lieu of his standard violin a violence gross played an octave below the bass staff. Despite its immediate appeal to conservative ears, each movement has a remarkable feature typical of Bachs irrepressible sense of invention. The first movement is four minutes of pure sprightly swaggering infectious elation, yet theres subtext of discomfort. The two natural horns appear to be making their first solo appearance in a concerto yet, their raucous disturbs the otherwise carefully- balanced texture and their insistent bellowing hunting calls disrupt the overall rhythm. Joseph Haydn was a prominent and prolific composer of the Classical period. He was instrumental in the development of chamber music such as the piano trio and his contributions to musical form have earned him the epithets Father of the Symphony and Father of the String Quartet. James Webster summarizes Heydays ole in the history of classical music as follows: He excelled in every musical genre He is familiarly known as the father of the symphony and could with greater Justice be thus regarded for the string quartet; no other composer approaches his combination of productivity, quality and historical importance in these genres. A central characteristic of Heydays music is the development of larger structures out of very short, simple musical motifs, often derived from standard accompanying figures. The music is often quite formally concentrated, and the important musical events of movement can unfold rather quickly. Heydays work was central to the development of what came to be called sonata form. Haydn was particularly fond of the so-called monotheistic expo sition, in which the music that establishes the dominant key is similar or identical to the opening theme. .u64d2a316d96350e0b5bfe4c9ddfb2fa2 , .u64d2a316d96350e0b5bfe4c9ddfb2fa2 .postImageUrl , .u64d2a316d96350e0b5bfe4c9ddfb2fa2 .centered-text-area { min-height: 80px; position: relative; } .u64d2a316d96350e0b5bfe4c9ddfb2fa2 , .u64d2a316d96350e0b5bfe4c9ddfb2fa2:hover , .u64d2a316d96350e0b5bfe4c9ddfb2fa2:visited , .u64d2a316d96350e0b5bfe4c9ddfb2fa2:active { border:0!important; } .u64d2a316d96350e0b5bfe4c9ddfb2fa2 .clearfix:after { content: ""; display: table; clear: both; } .u64d2a316d96350e0b5bfe4c9ddfb2fa2 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u64d2a316d96350e0b5bfe4c9ddfb2fa2:active , .u64d2a316d96350e0b5bfe4c9ddfb2fa2:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u64d2a316d96350e0b5bfe4c9ddfb2fa2 .centered-text-area { width: 100%; position: relative ; } .u64d2a316d96350e0b5bfe4c9ddfb2fa2 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u64d2a316d96350e0b5bfe4c9ddfb2fa2 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u64d2a316d96350e0b5bfe4c9ddfb2fa2 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u64d2a316d96350e0b5bfe4c9ddfb2fa2:hover .ctaButton { background-color: #34495E!important; } .u64d2a316d96350e0b5bfe4c9ddfb2fa2 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u64d2a316d96350e0b5bfe4c9ddfb2fa2 .u64d2a316d96350e0b5bfe4c9ddfb2fa2-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u64d2a316d96350e0b5bfe4c9ddfb2fa2:after { content: ""; display: block; clear: both; } READ: Music is purely for relaxation. Do you agree? EssayHaydn also differs from Mozart and Beethoven in his recapitulation sections, where he often rearranges the order of themes compared to the exposition and uses extensive thematic development (Clark, 15-21). Perhaps more than any other composers, Heydays music is known for its humor. The most famous example is the sudden loud chord in the slow movement of his Surprise symphony; Heydays many other musical Jokes include numerous false endings and the remarkable rhythmic illusion placed in the trio section of the third movement of Pop. 50 No. 1. The Symphony No. 4 in G major is the second of the twelve so-called London symphoni es and popularly known as The Surprise symphony. The Surprise Symphony is scored for a Classical-era orchestra consisting of two each of flutes, oboes, bassoons, horns, trumpets, plus timpani, and the usual string section insisting of violins (first and second), violas, cellos, and double basses. Heydays music contains many Jokes, and the Surprise Symphony includes probably the most famous of all: a sudden fortissimo chord at the end of the otherwise piano opening theme in the variation-form second movement. The music then returns to its original quiet dynamic, as if nothing had happened, and the ensuing variations do not repeat the Joke. Like much of Heydays work, it is written in so-called monotheistic sonata form; that is, the movement to the dominant key in the exposition is not marked by a second theme (London, 36-55). The second, surprise, movement, is an andante theme and variations in 2/4 time in the subordination key of C major. The theme is in pianissimo with pizzicato in the lower strings to set up the surprise. The third movement is a minuet and trio, in ternary form in the tonic key (G major). The tempo, allegro molt (very quickly), is of note since it marks the historical shift away from the old minuet (which was played at a slower, danceable, tempo) toward the scherzo; by his last quartets Haydn had started marking his minuets presto. The fourth pavement is a characteristically rhythmic, energetic and propulsive Haydn finale. The movement is written in sonata rondo form with the opening bars appearing both at the beginning and in the middle of the development section. The classical style is a style in which form plays a more important part than earlier or later styles. The use of sonata form is almost the defining characteristic of the style. Haydn did not create sonata form, but he was a master of it. His grasp of form was excellent, and at the same time, he took a few liberties with his conception of it. Aside from a false capitulation, Haydn was fond of surprising the listener with many unexpected turns and twists. Sudden key changes, unexpected shifts of rhythm or harmony, a phrase that leads into something totally different than what is expected; these are a few items in the bag of tricks that Haydn had up his sleeve. He was a genius at surprising the listener with unexpected things, yet still adhering to sonata form. His music is full of idiosyncrasies and eccentric ideas. He experimented constantly with new ways of surprising listeners. It is difficult to describe the appeal and popularity which surrounds the Brandenburg Concertos of Johann Sebastian Bach. Of the six works which comprise the entire set, no two are alike in their instrumentation, and in two of them (the Third and Sixth), there arent even any soloists, but only a band of stringed instruments in complex musical intercourse. Normally, the format calls for three movements following the pattern fast-slow-fast. The Brandenburg incorporate all of these senses and more, in a way that no one had done before Bach, who modestly labeled the package concertos with several instrumentsone of the great understatements in the history of music (Cares, 42).